SUSAN MEISELAS, CARNIVAL STRIPPERS, 1972-1975.
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SUSAN MEISELAS, CARNIVAL STRIPPERS, 1972-1975.

From 1972 to 1975, I spent my summers photographing and interviewing women who performed striptease for small town carnivals in New England, Pennsylvania, and South Carolina. As I followed the girl shows from town to town, I photographed the dancers' public performances as well as their private lives…

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APRIL DAWN ALISON, POLAROIDS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

APRIL DAWN ALISON, POLAROIDS

April Dawn Alison, the private persona of an Oakland-based commercial photographer known to family, friends, and neighbors as Alan Schaefer (1941–2008). Approximately 9,200 Polaroids were made over the course of more than thirty years, and discovered upon the artist’s death…

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JEN DAVIS: ELEVEN YEARS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

JEN DAVIS: ELEVEN YEARS

"In this body of work, I deal with my insecurities about my body image and the direct correlation between self-perception and the way one is perceived by others. Photography is the medium that I use to tell my story through life, an outlet for revealing my thoughts and opinions about the society in which we live. A society that dictates beauty based on ones physical appearance…

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LAURA AGUILAR, THREE EAGLES FLYING, 1990
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

LAURA AGUILAR, THREE EAGLES FLYING, 1990

“Three Eagles Flying is the product of the last ten years of my life that presents an evolutionary journey of mind and spirt leading to the cultural identity that today I call, Me. In the struggle to gain self-knowledge and acceptance, the often-oppressive judgements of others have had a significant influence on my developing identity…

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ZANELE MUHOLI: SOMNYAMA NGONYAMA, HAIL THE DARK LIONESS, 2018
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

ZANELE MUHOLI: SOMNYAMA NGONYAMA, HAIL THE DARK LIONESS, 2018

“I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces―brave enough to create without fear of being vilified… . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves―to encourage people to use artistic tools such as cameras as weapons to fight back.”

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