MARK MCKNIGHT, IN THIS TEMPORARILY PREVAILING LANDSCAPE, 2018 - PRESENT
Landscapes and queer bodies appear in flux as McKnight blurs a multitude of formal and figurative boundaries: earth and flesh, self and subject, artist and documentarian…
COLLIER SCHORR, WRESTLERS
I like devastation. I like exhaustion. I really like seeing someone that I know can’t barely get up…
ANNE NOGGLE, WORLD WAR II WOMEN PILOTS
With black and white photography, Anne Noggle (1922–2005) confronts themes of gender equality and aging through portraits of World War II women pilots in the United States and the Soviet Union…
RAMELL ROSS, SOUTH COUNTY, AL (A HALE COUNTY), 2012
Having lived, worked, and photographed in Hale County, Alabama, for almost ten years, RaMell Ross has produced a series of quietly powerful photographs—South County, AL (a Hale County)—that meditate on the myths of blackness in the American South…
LORRAINE O’GRADY, BODY IS THE GROUND OF MY EXPERIENCE
BodyGround, shorthand for Body Is the Ground of My Experience, refers to the photomontages produced by O’Grady for her first one-person exhibit, at INTAR Gallery, NYC, Jan 21–Feb 22, 1991…
VALIE EXPORT, GENITAL PANIC
Genitalpanik (Genital Panic) is a series of photographs and posters that emerged from an action VALIE EXPORT performed in Munich in 1968…
JOIRI MINAYA, THE CLOAKING SERIES
The Cloaking series challenges the presence of colonial statues in urban spaces, using colorful spandex fabric to conceal and simultaneously bring attention to these monuments, questioning which narratives get memorialized and which are omitted…
SABELO MLANGENI, THE ROYAL HOUSE OF ALLURE
Like many cities in the world Lagos is a city of extremes. Individuals who fit into the mould of heteronormativity (especially those protected by wealth) are considered worthy of protection and celebration while others (feminised, queer and poor bodies) are rendered invisible and unworthy…
LINDA TROELLER, TB-AIDS DIARY
The careful assemblage of personal images and texts that make up Linda Troeller's TB-AIDS Diary confronts the social stigma of disease in a manner that is at once gentle and uncompromising…
ALVIN BALTROP, THE PIERS
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s…
ELLIOTT JEROME BROWN JR, SELF-TITLED EXHIBITION, 2022
The exhibition presented a series of new portraits and abstract photographs as a reflection on materiality, memory, and intimacy…
DEANA LAWSON, AN APERTURE MONOGRAPH, 2018
This is the first monograph on the photography of Deana Lawson, who has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals…
TEXAS ISAIAH, MY NAME IS MY NAME
My Name is My Name incorporates photography and a system of celebration (altar) to highlight the multi-dimensional relationship between ancestry, ceremonial rituals, elements within nature, dream etching, and protection…
CHI YIN SIM, THE SUITCASE IS A LITTLE BIT ROTTEN, 2023
“The suitcase is a little bit rotten” is a conceptual series of work using new and found imagery to speculate on the potentialities of transgenerational memory and inheritance, between the artist’s socialist grandfather – a political activist in British Malaya executed for his politics during the Cold War…
PINAR YOLAÇAN, MOTHER GODDESS
Mother Goddess, published by Baron, showcases the work of artist Pinar Yolaçan and serves as an artefact of her visual explorations of the body, along the themes of gender and otherness…
CLAUDE CAHUN, SELECT WORKS
Her first recorded self-portraits are dated as early as 1912, when the artist was about 18. In the early 1920s, she would change her name to the gender neutral Claude Cahun, which would be the third and last time the artist changed her name…
BARBARA NITKE, RESURRECTION, 1991-1994
By the late eighties, the hardcore porn industry had left New York and moved out to California. People who were serious about their adult film careers moved with the business, but I loved New York too much to leave. I stayed behind and found other things to do…
AIDA MULUNEH, SELECTED WORKS
Looking to her background as a photojournalist, Muluneh uses this foundation of visual and symbolic language and blends it with the sentiments, intensity, and passion of poetry…
KRISTINE POTTER, MANIFEST
Created while working in remote areas along the Western slope of Colorado between 2012 and 2015, Kristine Potter builds on her previous investigations of masculinity and the American Soldier, here fixing her gaze on a parallel archetype, the American Cowboy…
AMBER BYRNE MAHONEY, FIRST HAIRCUT, 2023
The day we first cut his hair — I write “we" because it does feel something collaborative, doesn’t it? Something done together. There is the one with the hair, the one with scissors, the one saying: yes, please, go and cut his hair (and what right do I have?…