OZIER MUHAMMAD, HARLEM
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

OZIER MUHAMMAD, HARLEM

Chicago-born, Muhammad is the grandson of Nation of Islam Founder Elijah Muhammad. Coming of age in that famous family of Black Muslim leaders — itself spotlighted in an array of news, commentary and pictures — he picked up jazz and a Yashica film camera around the same time…

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TIFFANY J. SUTTON, BLACK BODY RADIATION
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

TIFFANY J. SUTTON, BLACK BODY RADIATION

Photographer Tiffany Sutton’s body of work is rooted in narrative portraiture, family vernacular, and candid documentary photography. Her style developed out of an interest in cinematography. Her still images were mostly a self-biography that grew into something more…

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STEPH FOSTER, THE EYES BENEATH THE OAK,
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

STEPH FOSTER, THE EYES BENEATH THE OAK,

One of the most pernicious aspects of our prison system is how it renders people invisible and inaudible so that their stories are hidden from our collective understanding. This allows the perpetuation of exploitative and abusive systems that disproportionately affect people of color, as their experiences are systematically hidden from view…

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SALLY MANN, AT TWELVE, PORTRAITS OF YOUNG WOMEN, 1988
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SALLY MANN, AT TWELVE, PORTRAITS OF YOUNG WOMEN, 1988

At Twelve is Sally Mann’s revealing, collective portrait of twelve-year-old girls on the verge of adulthood. To be young and female in America is a time of tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood…

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SABELO MLANGENI, THE ROYAL HOUSE OF ALLURE
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SABELO MLANGENI, THE ROYAL HOUSE OF ALLURE

Like many cities in the world Lagos is a city of extremes. Individuals who fit into the mould of heteronormativity (especially those protected by wealth) are considered worthy of protection and celebration while others (feminised, queer and poor bodies) are rendered invisible and unworthy…

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