JESSICA YATROFSKY, PHOTOGRAPHY, A HISTORY OF MASTURBATION
FILM Megan Christiansen FILM Megan Christiansen

JESSICA YATROFSKY, PHOTOGRAPHY, A HISTORY OF MASTURBATION

The video chronicles an androgynous and tattooed young man, the type of model that wouldn’t be out of place in conceptual style bibles like Re-edition or Man About Town, posing, while a narrator asks the viewer, “Is this Art?,” or, “if the New York Times said this was art, would it be art?…

Read More
D’ANGELO LOVELL WILLIAMS, CONTACT HIGH, 2022
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

D’ANGELO LOVELL WILLIAMS, CONTACT HIGH, 2022

Contact High offers an expansive engagement with the visualisation of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives, picturing them as sitters, lovers, caregivers, or shadows…

Read More
CATHERINE OPIE, DYKE DECK, 1995
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

CATHERINE OPIE, DYKE DECK, 1995

Catherine Opie’s legendary 52-piece Dyke Deck of playing cards. Released in 1995, they feature highly stylised portraits of Opie’s queer community, many friends and others cast during an open call in San Francisco…

Read More
LOUISE BOURGEOIS, PEELS A TANGERINE
FILM Megan Christiansen FILM Megan Christiansen

LOUISE BOURGEOIS, PEELS A TANGERINE

I was making a series for Channel 4 television called ‘The Truth About Art.’ The series included three films—one about God, another about animals and the third about sex. Louise, I calculated, had things to say about all of them. But mostly I was interested in sex…

Read More
MAXINE WALKER, SELECTED WORKS, 1985-1997
Megan Christiansen Megan Christiansen

MAXINE WALKER, SELECTED WORKS, 1985-1997

In her 1995 series, ‘Untitled’, British-Jamaican photographer Maxine Walker disrupts the idea of an approved womanhood through a photo booth style montage of self-portraits, presented as if taken within seconds of each other…

Read More
CINDY SHERMAN, DOLL CLOTHES, 1975
FILM Megan Christiansen FILM Megan Christiansen

CINDY SHERMAN, DOLL CLOTHES, 1975

Doll Clothes 1975 is a short black and white silent film by the American artist Cindy Sherman that combines live action with animated sequences. The film begins with a shot of the cover of a book (made by the artist) which is decorated with a flowery border and photographic cut-outs of women wearing old-fashioned hats and clothes…

Read More
TRACEY EMIN, MY BED, 1998
INSTALLATION Megan Christiansen INSTALLATION Megan Christiansen

TRACEY EMIN, MY BED, 1998

First created in 1998, it was exhibited at the Tate Gallery in 1999 as one of the shortlisted works for the Turner Prize. It consisted of her bed with bedroom objects in a dishevelled state, and gained much media attention…

Read More
WHERE I’M FROM POEM
TEACHING RESOURCES Megan Christiansen TEACHING RESOURCES Megan Christiansen

WHERE I’M FROM POEM

“Where I'm From” grew out of my response to a poem from Stories I Ain't Told Nobody Yet (Orchard Books, 1989; Theater Communications Group, 1991) by my friend, Tennessee writer Jo Carson. All of the People Pieces, as Jo calls them, are based on things folks actually said, and number 22 begins, “I want to know when you get to be from a place…

Read More
LORNA SIMPSON, SHE, 1992
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

LORNA SIMPSON, SHE, 1992

Simpson focuses on challenging the construct of gender and questions society’s idea of femininity and how society thinks there is a direct link between codes of dress and femininity…

Read More
NONA FAUSTINE, WHITE SHOES, 2021
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

NONA FAUSTINE, WHITE SHOES, 2021

White Shoes is a collection of self-portraits taken in locations around New York that were central to the city’s once pivotal – and now largely obscured and unacknowledged – involvement in the slave trade…

Read More
CAROLEE SCHNEEMAN, INTERIOR SCROLL, 1975/77
PERFORMANCE Megan Christiansen PERFORMANCE Megan Christiansen

CAROLEE SCHNEEMAN, INTERIOR SCROLL, 1975/77

The message I read for Interior Scroll is from the feminist texts in Kitch's Last Meal. The image occurred as a drawing; this image seemed to have to do with the power and possession of naming-the movement from interior thought to external signification, and the reference to an uncoiling serpent, to actual information (like ticker tape, rainbow, Torah in the Ark, chalice, choir loft, plumb line, bell tower, the umbilicus, and tongue)…

Read More
LEIGH LEDARE, PERSONAL COMMISSIONS, 2008
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

LEIGH LEDARE, PERSONAL COMMISSIONS, 2008

For the project Personal Commissions Ledare answered Women Seeking Men personal advertisements posted in various New York City newspapers. While primarily serving as a vehicle for seeking out companionship, these ads often referenced phrases such as “tribute”, which only thinly disguised the subjects’ participation within an underground economy of intimacy, sexual gratification and material validation…

Read More
GILLIAN WEARING, ALBUM, 2003
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

GILLIAN WEARING, ALBUM, 2003

The mask occupies a central place in the videos and photographs of Gillian Wearing. Wearing has employed various kinds of masks—from literal disguises to voice dubbing—to conceal the physical identities of her subjects and allow them to reveal their innermost secrets…

Read More
HANK WILLIS THOMAS - UNBRANDED</a>: REFLECTIONS IN BLACK BY CORPORATE AMERICA, 2005-2008</a>
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

HANK WILLIS THOMAS - UNBRANDED: REFLECTIONS IN BLACK BY CORPORATE AMERICA, 2005-2008

Unbranded: Reflections in Black by Corporate America explores fifty years of print advertising targeted towards African-Americans—from 1968, a year of heightened social and political protest that saw the assassination of Martin Luther King, Jr., until 2008, the year of the election of the first African American president…

Read More