PATTY CHANG, MELONS (AT A LOSS), 1998
A performance juggling a narrative of an imaginary cultural ritual of receiving a plate at a relatives death with the act of cutting and eating a melon while balancing a plate on the head…
STEPHANIE DEUMER, SPOOKY ACTION AT A DISTANCE
Spooky Action at a Distance is a digital film exploring the objectification of women by means of their disembodiment. The video links AI assistants that personify female identities…
SONDRA PERRY, WET AND WAVY LOOKS – TYPHOON COMING ON, 2016
Using a water-resistant rowing machine filled with hair gel connected to three screen monitors, Sondra Perry’s 2016 Wet and Wavy – Typhoon coming on for a Three-Monitor Workstation engages the viewer’s body as a component of her piece…
HANNAH WILKE, S.O.S. STARIFICATION OBJECT SERIES, 1974
In 1974, Wilke began experimenting with performance art. One of her first forays into this genre was S.O.S. Starification Object Series…
NAN GOLDIN, THE BALLAD OF SEXUAL DEPENDENCY
These photographs described a lifestyle that was visceral, charged and seething with a raw appetite for living, and the book soon became the swan song for an era that reached its peak in the early 1980s…
ANA MENDIETA, FUEGO DE TIERRA, 1987
Released two years after the artist’s death, this compelling documentary tracks Mendieta’s life from her childhood in Cuba and tumultuous early years in the United States through her later success in New York and abroad…
VITO ACCONCI, UNDERTONE 1972
One of Acconci's most compelling works, Undertone is a confrontational attempt to engage the viewer in an intimate, ultimately perverse relation with the artist…
SUSAN MOGUL, TAKE OFF, 1974
In one sense Take Off is like a public service announcement or a TV commercial about vibrators and masturbation. My persona is a salesperson demonstrating a product…
ANNE NOGGLE, SELECTED SELF IMAGES
Noggles’s artwork presents to viewers new concepts of self-identity in portraiture. Her artwork explores human connection and challenges the intersecting constructs of gender, aging, and femininity…
RENEE COX, YO MAMA’S LAST SUPPER, 1996
Deeply concerned with the racial discrepancies in society, artist Renee Cox explores black identity through photography, collage, video, and other media, using the body to displace religious symbols from the white-centric paradigm…
GARY HILL, BATHING, 1977
A woman is lying in a bathtub with her eyes closed. In the background the splashing from a running tap can be heard. The camera pans across the woman’s body to dwell on her face, which just protrudes above the surface of the water…
GRACIELA ITURBIDE, JUCHITÁN
In 1979, Graciela Iturbide traveled to Juchitán, a small town in the southern Mexican state of Oaxaca, to photograph the Zapotec indigenous group. For nearly a decade, she immersed herself in the community during a series of visits, spending long periods with Zapotec women and cultivating friendships…
CARRIE MAE WEEMS, THE KITCHEN TABLE SERIES, 1990
For this series, Carrie Mae Weems staged and photographed a fictional drama in which she plays the lead. The setting is always the same: a small room with a table and a single overhead light..
ANNIE HSIAO-CHING WANG, THE MOTHER AS CREATOR
Over the years – 21 to be precise – the project evolved, deepening as did the tender relationship between mother and son. The near-annual photographic traditions brought Annie and her son closer, “because we often need to recall, review and revise” both the past and future in order to make a new image…
GERARDO VIZMANOS, FIRE AND TEMPTATION
Sometimes life directs us to the idea of putting on. hold the task of being ourselves, turning our mind into a source of fire and temptation, keeping us somewhat where we cannot last for too long…
ALEX PRAGER, SELECT WORKS, 2021-2022
Working simultaneously across film, photography, and sculpture, Prager constructs highly emotional moments that feel like a fabricated memory or dream…
JONATHAS DE ANDRADE, ZUMBI INCARNATED, 2014
An invitation to the Senegalese immigrant Abdou G. P., that recently had arrived in Brazil in 2014, to visit the lands of the Quilombo dos Palmares settlement and incorporate the myth of Zumbi, the legendary slave that resisted and escaped to be one of the leaders of the greatest Quilombo…
REN HANG, SELECTED WORKS
Ren Hang, who took his life February 23, 2017, was an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 29-year-old Beijing photographer was nonetheless at the forefront Chinese artists’ battle for creative freedom…
MONICA BONVICINI, NEVER AGAIN, 2005
Never Again consists of a collection of swings composed from steel pipes, black leather, and chains, suspended from a steel structure…
LATOYA RUBY FRAZIER, THE NOTION OF FAMILY, 2001-2014
The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania…