ADRIAN PIPER, WHAT WILL BECOME OF ME, 1985-ONGOING
INSTALLATION Megan Christiansen INSTALLATION Megan Christiansen

ADRIAN PIPER, WHAT WILL BECOME OF ME, 1985-ONGOING

In the 1980s Piper’s interests in systemic oppression, racism, and social justice took a contemplative and self-referential direction. What Will Become of Me consists of twelve honey containers filled with the artist’s hair and two smaller jars holding bits and pieces of fingernails and dried skin, arranged as reliquaries on a wooden shelf…

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THERESA HAK KYUNG CHA, MOUTH TO MOUTH, 1975
FILM Megan Christiansen FILM Megan Christiansen

THERESA HAK KYUNG CHA, MOUTH TO MOUTH, 1975

English and Korean words appear on the screen, a mouth forms the shape of an "O," then opens and closes. Is this the beginning of language? In this early videotape, Cha isolates and repeats a simple, physical act — a mouth forming the eight Korean vowel graphemes — so that this ordinary action becomes something primal and riveting…

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ELEANOR ANTIN, CARVING: A TRADITIONAL SCULPTURE 1972
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

ELEANOR ANTIN, CARVING: A TRADITIONAL SCULPTURE 1972

A landmark early feminist work, Eleanor Antin’s Carving: A Traditional Sculpture comprises 148 black-and-white photographs documenting the artist’s loss of 10 pounds over 37 days. Every morning she was photographed naked in the same four stances to record her barely perceptible self-induced weight loss…

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JOEL MEYEROWITZ, POP
FILM Megan Christiansen FILM Megan Christiansen

JOEL MEYEROWITZ, POP

Pop chronicles the journey of three generations of Meyerowitz men on a road trip from Florida to the Bronx, in exploration of their familial roots…

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AN-MY LÊ, DELTA
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

AN-MY LÊ, DELTA

In her “Delta” series, Lê explored the Vietnam War’s migratory legacy. The color photographs focus on the everyday lives of Vietnamese and Vietnamese American women and girls in Ho Chi Minh City and New Orleans…

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DAIDO MORIYAMA, JAPAN, A PHOTO THEATER, 1968
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

DAIDO MORIYAMA, JAPAN, A PHOTO THEATER, 1968

Originally published in 1968 – the year which also saw the launch of the influential Provoke magazine – the book already demonstrates Moriyama’s trademark visual style. On invitation of Japanese writer Shuji Terayama, Moriyama began photographing members of a traveling theater group, adding shots of dwarf show dancers, strip clubs, street performers, fetuses in formaldehyde containers and other motifs…

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MARTIN NEWTH, 8 HOURS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

MARTIN NEWTH, 8 HOURS

The images each record a night’s sleep in different budget motels in the USA during the artist's honeymoon in 2001. The exposure time of the photographs is 8 hours…

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CLIFTON MOONEY, SELECTED WORKS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

CLIFTON MOONEY, SELECTED WORKS

Polaroid Photography is a passion, to be completely honest I don’t know where exactly it comes from. A number of things come to mind like the instant gratification, the excitement of what might come out, or in my opinion the only true tangible photography to exist…

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SUNIL GUPTA, SUN CITY
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SUNIL GUPTA, SUN CITY

This project is a fictional narrative loosely based on the 1962 film, "La Jetée" by Chris Marker. We can view it as some "stills" from a film that is "missing."…

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PAJAMA, SELECTED WORKS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

PAJAMA, SELECTED WORKS

In 1937, the painters Jared French (1902-1989), Paul Cadmus (1904-1999) and Margaret French (1906-1998) began to experiment with a camera during summers on the beaches of Fire Island and Provincetown, and in the winters back at their New York City studios…

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RENLUKA MAHARAJ, LAMBI KAHANI
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

RENLUKA MAHARAJ, LAMBI KAHANI

My family’s history as indentured laborers in Trinidad and Tobago has been a point of departure for ongoing dialogue and research.  My work is ultimately autobiographical and is influenced by the narratives, myths and folklore born from the women who migrated from India to the Caribbean…

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