NYKELLE DEVIVO, THE CROSSROADS, 2013-2024
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

NYKELLE DEVIVO, THE CROSSROADS, 2013-2024

Raised in a deeply religious household and honoring the language of Afro Spiritualism, my images reflect lifetimes of reverence for the divine. Throughout the diaspora (and from antiquity to our futures), we’ve relied on the ancient technology of refracted light as a tool for divination, which, with intentionality, can be used to embody (or catch) holy spirits...

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MICKALENE THOMAS, OH MICKEY, 2008
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

MICKALENE THOMAS, OH MICKEY, 2008

My video and painting installation Oh Mickey! (2008), was inspired by a Balthus painting called La Toilette. In the Balthus, a young girl is wearing lube socks and red slippers, standing alone in an intimate interior space. In my piece, I have a model standing in one of my installations completely nude, except for tube socks and red heels, singing Toni Basil's “Mickey” song...

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JUDITH BARRY, IMAGINATION, 1991
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

JUDITH BARRY, IMAGINATION, 1991

An androgynous head is projected as if contained within a minimalist cube. Sounds of the head slowly breathing fill the space. The head is serene, waiting. Suddenly a substance pours over it from all sides, drenching it in what appears to be a bodily fluid. The spectator wants to turn away but can not, the gaze is compelled through the invocation of the scopic drive...

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JORDAN WOLFSON, FEMALE FIGURE, 2014
INSTALLATION Megan Christiansen INSTALLATION Megan Christiansen

JORDAN WOLFSON, FEMALE FIGURE, 2014

Artist Jordan Wolfson's (Female figure), 2014, is an immersive environment that features a robotic sculpture. For seven minutes, the robot gives monologues and dances to pop songs. Startling and unnerving, the work raises the specter of misogyny and exposes fissures in pop culture...

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JILL POSENER, THE ON OUR BACKS YEARS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

JILL POSENER, THE ON OUR BACKS YEARS

When I first came to San Francisco in the late 80’s, I was running away from a Britain that I could no longer tolerate. Thatcher was Prime Minister and intolerance was pervasive. I couldn’t find a place to feel comfortable...

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MEG TURNER, WET, 2014-ONGOING
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

MEG TURNER, WET, 2014-ONGOING

Collected as a prototype for my first artist book, Wet is a series of 46 tintype portraits taken between new orleans and new york (with a few Texas and Florida trips) between 2014 and today. The theme of water runs a slow and steady thread through the layout - bodies of water by which we feel our own bodies, our own relaxation and divinity, bodies of water which turn to smoke in the process of long outdoor exposures...

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DANIEL RAMPULLA, COLLAPSE
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

DANIEL RAMPULLA, COLLAPSE

Collapse, comes from this very nod to connection, two bodies “collapsing” together, the “collapse” of two people into one relationship, or the “collapse” of a dune as the shore begins to recede...

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GOLDEN, ROBERT MAPPLETHORPE THIS IS NOT YOUR HISTORY, 2016
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

GOLDEN, ROBERT MAPPLETHORPE THIS IS NOT YOUR HISTORY, 2016

Robert Mapplethorpe This Is Not Your History was created as a direct retaliation to the Portfolio Z series shot and captured by Robert Mapplethorpe in the late ’70s. In photo history, Mapplethorpe’s works are often sourced and attributed as visual etymologies for queer representations—losing sight of how the gaze of whiteness makes a spectacle of blackness when its being is rendered as just ‘body.’..

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RACHEL JUMP, ORIGINS
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

RACHEL JUMP, ORIGINS

For most of my childhood our lives were scattered over countless households. My disparate memories of these places merely composed a fragmented idea of home. Later in life I began to question how my identity was shaped without a point of origin...

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EBONY G. PATTERSON,... THREE KINGS WEEP ..., 2018
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

EBONY G. PATTERSON,... THREE KINGS WEEP ..., 2018

Ebony G. Patterson uses lavish surfaces and verdant motifs to entice viewers to contemplate not only the power of beauty and fashion but also historical and contemporary violence against Black people. In . . . three kings weep . . ., a trio of young men shed tears as they sit silently before a backdrop of floral wallpaper and fluttering artificial butterflies...

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CRAIG HIGHBERGER, SUPERSTAR IN A HOUSEDRESS, 2004
FILM Megan Christiansen FILM Megan Christiansen

CRAIG HIGHBERGER, SUPERSTAR IN A HOUSEDRESS, 2004

Jackie Curtis is not a drag queen. Jackie is an artist. A pioneer without a frontier." -- Andy Warhol. Superstar in a Housedress examines the life and legend of Warhol transvestite superstar Jackie Curtis who was a poet, playwright, performer, and one of the great personalities of his time...

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