NIKO KRIVANEK, SEVIER COUNTY, 2023
Sevier county is a photographic retracing of the family vacation taken by Krivanek’s mother at 10 years old. The images in the project seek freedom as Krivanek tries to reconnect with a version of his mother that exists prior to her incarceration…
SHARON HAYES, WOMEN OF THE WORLD UNITE, THEY SAID, 2014
I was intrigued by the question of how one shouts in text. I was engaged by the ambition and impossibility of the demand that is being made. And I was moved by the complexities that trans politics brings to the political identification with a term like “women”…
CAMERON A. GRANGER, DREAM DROP DISTANCE
In Dream Drop Distance, Granger uses the histories embodied in karaoke and soul train lines to weave us a new possible future on the other side of disaster. Two custom karaoke booths and their playlists invite visitors to undertake impromptu duets with one another, opening themselves up to the indeterminacies of encounter…
CINDY SHERMAN, SEX PICTURES, 1992
In 1992, Sherman produced a series of sex pictures using artificial body parts purchased from medical supply catalogues and typically employed for educational purposes. In this work, recalling the debased anatomical survey of a pornographic shot, detailed prostheses form a surrogate body…
SUE DE BEER, DISAPPEAR HERE, 2004
The first intercut image in the short video Disappear Here presents a sheet cake, as from a child's birthday party, showing the sentence "The recollection is a cascade of spatial metaphors" in frosting…
NYKELLE DEVIVO, THE CROSSROADS, 2013-2024
Raised in a deeply religious household and honoring the language of Afro Spiritualism, my images reflect lifetimes of reverence for the divine. Throughout the diaspora (and from antiquity to our futures), we’ve relied on the ancient technology of refracted light as a tool for divination, which, with intentionality, can be used to embody (or catch) holy spirits...
NANDITA RAMAN, WHEN MOUNTAINS RISE AND FALL LIKE WAVES
Louise Bourgeois talks of the unconscious and attempts to draw a petal on a grid. The grid and the unconscious are so far apart that a spacious ground emerges between them. This body of work finds the opposites only to discover that the distance between them is contingent on where one stands...
NJAIMEH NJIE, DID YOU GET EVERYTHING?
What do we take, and what is left behind when we leave home? With audio and visual collage, this installation takes visitors inside the collective memory of a fictional family that is leaving their home...
LAURIE ANDERSON, HABEAS CORPUS, 2015
Iconic performance artist Laurie Anderson expands upon her work fusing storytelling and technology, creating an installation and performance piece that examines lost identity, memory, and the resiliency of the human body and spirit...
DARBY ROUTTENBERG, MISS PLUS AMERICA, 2023-ONGOING
This is un ongoing project where I am to explore plus size, body positive spaces...
JESS T. DUGAN, LOOK AT ME LIKE YOU LOVE ME, 2015-2022
“In Look at me like you love me, Jess T. Dugan reflects on desire, intimacy, companionship, and the ways our identities are shaped by these experiences…
MICKALENE THOMAS, OH MICKEY, 2008
My video and painting installation Oh Mickey! (2008), was inspired by a Balthus painting called La Toilette. In the Balthus, a young girl is wearing lube socks and red slippers, standing alone in an intimate interior space. In my piece, I have a model standing in one of my installations completely nude, except for tube socks and red heels, singing Toni Basil's “Mickey” song...
JUDITH BARRY, IMAGINATION, 1991
An androgynous head is projected as if contained within a minimalist cube. Sounds of the head slowly breathing fill the space. The head is serene, waiting. Suddenly a substance pours over it from all sides, drenching it in what appears to be a bodily fluid. The spectator wants to turn away but can not, the gaze is compelled through the invocation of the scopic drive...
JORDAN WOLFSON, FEMALE FIGURE, 2014
Artist Jordan Wolfson's (Female figure), 2014, is an immersive environment that features a robotic sculpture. For seven minutes, the robot gives monologues and dances to pop songs. Startling and unnerving, the work raises the specter of misogyny and exposes fissures in pop culture...
JILL POSENER, THE ON OUR BACKS YEARS
When I first came to San Francisco in the late 80’s, I was running away from a Britain that I could no longer tolerate. Thatcher was Prime Minister and intolerance was pervasive. I couldn’t find a place to feel comfortable...
MEG TURNER, WET, 2014-ONGOING
Collected as a prototype for my first artist book, Wet is a series of 46 tintype portraits taken between new orleans and new york (with a few Texas and Florida trips) between 2014 and today. The theme of water runs a slow and steady thread through the layout - bodies of water by which we feel our own bodies, our own relaxation and divinity, bodies of water which turn to smoke in the process of long outdoor exposures...
TRACEY EMIN, EVERYONE I HAVE EVER SLEPT WITH 1963–1995, 1995
Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995...
ANONYMOUS, SEX DOLL POLAROIDS
The photo sets feature commercially-available dolls with added genitalia. The maker has set up tableaus and made photographic series that tell stories of straight, gay, and group scenes. We have not definitively dated them, but they are probably from the 1970s...
GROANA MELENDEZ, EL NOMBRE MÍO, AJENO
El Nombre Mío, Ajeno is an exhibition of photographs, videos and other lens-based works by Groana Melendez. In this work Groana creates an understanding of the interconnectedness of relationships, class and identity...
DANIEL RAMPULLA, COLLAPSE
Collapse, comes from this very nod to connection, two bodies “collapsing” together, the “collapse” of two people into one relationship, or the “collapse” of a dune as the shore begins to recede...