CAROLEE SCHNEEMANN, FUSES, 1964-67
FILM Megan Christiansen FILM Megan Christiansen

CAROLEE SCHNEEMANN, FUSES, 1964-67

Fuses was made as an homage to a relationship of ten years—to a man with whom I lived and worked as an equal. We are perceived through the eyes of our cat…

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CAROLEE SCHNEEMAN, INTERIOR SCROLL, 1975/77
PERFORMANCE Megan Christiansen PERFORMANCE Megan Christiansen

CAROLEE SCHNEEMAN, INTERIOR SCROLL, 1975/77

The message I read for Interior Scroll is from the feminist texts in Kitch's Last Meal. The image occurred as a drawing; this image seemed to have to do with the power and possession of naming-the movement from interior thought to external signification, and the reference to an uncoiling serpent, to actual information (like ticker tape, rainbow, Torah in the Ark, chalice, choir loft, plumb line, bell tower, the umbilicus, and tongue)…

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