ALMA LOPEZ, OUR LADY, 1999
Our Lady, the piece which some members of the Santa Fe Catholic community found offensive, is a digital photograph representing the Virgin of Guadalupe…
PHILLIP GUTMAN, INVASION OF THE PINES
The subjects are glorious drag queens who have made the annual July 4th pilgrimage to Fire Island Pines from Cherry Grove by boat, a ritual that originated as an act of protest on July 4th, 1976, the American Bicentennial…
ROBERT GIARD, NUDES
The nudes began with my first body of work in 1974: a series of self- Thereafter, friends, lovers, and acquaintances served as the occasions for the male nudes…
CHANCE DEVILLE, GROWING TIRED OF CALLOUSED KNEES
Growing Tired of Calloused Knees” attempts to carry the multitude of issues that stem from domestic abuse as a catalyst for mental illness, poverty, and substance abuse. It’s a project that peels itself back, buckling from the pressure; a palatable view of troubled situations attempting resolve…
COURTNEY COLES, MOMMA
The very foundation of my practice is rooted in my fascination with the multiple ways I consider people, places, and memories “home” and my desire to preserve it. I am enthralled by making photographs that are soft and sincere because the world has been anything but to Black queer women like me...
AJAMU X, EARLY WORKS, 1990-1995
Ajamu X (HON FRPS) is a darkroom/fine art photographic artist. His philosophical provocations and aesthetics celebrate black queer bodies, the erotic senses, pleasure, and the sensual-material attributes of image production…
DONNA GOTTSCHALK, IMAGES FROM “BRAVE, BEAUTIFUL OUTLAWS”
Donna Gottschalk, a photographer active in the early period of radical lesbian organizing in New York and California during the 1970s. Gottschalk came out as a lesbian right at the formation of the radical lesbians and Furies collectives on the east coast, where she met lesbian artists JEB (Joan E. Biren), Flavia Rando, and others, and later moved to California to join lesbian-separatist communities…
SABELO MLANGENI, COUNTRY GIRLS, 2003-2009
Glamour and grittiness combine in Sabelo Mlangeni's Country Girls series, an intimate portrait of gay life in the countryside. Mlangeni took the photographs in small towns and rural areas in the Mpumalanga province. Driefontein, Ermelo, Bethal, Piet Retief, Standerton and Sekunda - nodes of mining, agriculture, forestry, and coal-fed power stations….
VAGINAL DAVIS, THE WHITE TO BE ANGRY, 1999
Vaginal Davis’s touchstone work, The White to be Angry, challenges white supremacy culture in the United States through irony and pastiche. Davis is a key figure in the history of queer music, performance, and video art, whose work bridged the queer performance and punk club scenes of Los Angeles in the late 1970s…
AUSTN FISCHER, JESTERS GENDER GAME
Jesters Gender Game, a celebration of historical queer artists' fearless exploration of gender performance. This photographic project draws inspiration from visionaries like Claude Cahun and Marcel Moore, who challenged gender norms through provocative self-portraits…
DILLON BRYANT, BLACK HILLS
My practice explores constructions of home, desire, family mythologies, and the landscape in relation to the LGBT+ experience through collage and photography. Taken and found images sourced from family albums, maps, guide books, magazines, and other archives are reorientated to examine the legacies of western expansion and mining in the American West with focus on sites in South Dakota (SD) and California…
CARLOS MARTIEL, SEDIMENTO, 2024
I lay on the floor of the gallery with my body near a mound of fertile soil. My mother grabs small handfuls of soil and places them on my body until I am buried. Then she leaves…
DAVID WOJNAROWICZ, SEX SERIES, 1988-89
Working in New York City’s East Village during the late 1980s, Wojnarowicz created art that was both intensely political and deeply personal. The Sex Series emerged from an overwhelming sense of loss—of loved ones, of privacy…
PAZ ERRÁZURIZ, LA MANZANA DE ADÁN (ADAM’S APPLE)
The need to investigate environments wholly condemned in the oppressive context of the Chilean dictatorship (1973–90) led the photographer Paz Errázuriz to embark on a project on marginalized subjects that she would pursue over the course of several years…
GEORGE PLATT LYNES, SELECT NUDES
George Platt Lynes was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male nude, which he photographed extensively in the privacy of his studio…
MATTHEW LEIFHEIT, TO DIE ALIVE, 2022
To Die Alive conjures a hedonistic fever dream of Fire Island’s historic gay communities. The book contains 77 photographs by New York artist Matthew Leifheit taken by night over the past five years…
IMANI DENNISON AND LATETRA METTS-OWENS, NAKED TRUTH
In the series titled “Naked Truth,” a collaboration between fine artist Latetra Metts-Owens and Photographer, Imani Dennison, explores the truth behind people naked selves. In phase one of this project, subjects were interviewed and recorded on film, revealing things about themselves that were both uncomfortable and secret…
ZOJA KALINOVSKIS, UNSEEN
Inspired by classical sculpture, Unseen portrays disabled bodies with reverence - as worthy of art instead of objects of pity. The series challenges the narrative that disability is synonymous with suffering and seeks to dismantle societal prejudices.
ALIREZA SHOJAIAN, WRESTLING SERIES, 2015
Alireza SHOJAIAN is an Iranian artist, born in Tehran in 1988. He began his career in Tehran and Beirut and has been based in Paris since 2019. His work aims to challenge societal prejudices against non-heteronormative masculine identities…
MARLON RIGGS, BLACK IS...BLACK AIN'T, 1995
The final film by filmmaker Marlon Riggs, BLACK IS…BLACK AIN'T, jumps into the middle of explosive debates over Black identity. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating…